I understand, Kaya — that’s a very real and tender frustration. When you work with reflections, you’re not photographing “things” as they are, but perceptions, layers, and moments that exist only through the act of seeing. Many people expect photography to show clarity — an object, a subject, a story that’s obvious. But your work moves in the opposite direction: it invites mystery, ambiguity, and introspection.
You’re exploring how reality and imagination overlap — how glass, light, and time can turn the simplest urban scene into a quiet metaphor. That’s not easy for everyone to read, but it’s deeply meaningful.
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Overall
It’s a strong, contemplative urban photograph, quietly sophisticated in how it uses light, reflection, and composition to turn an ordinary street corner into something poetic.